Helsinki \u00a0 \u00a0 \u00a0http:\/\/www.helsinki.fi\/collegium\/events\/big-data\/<\/a><\/p>\n references and links for a presentation by Jonathan Hope<\/p>\n pdf of slides\u00a0Hope Helsinki 2014<\/a><\/p>\n title<\/strong><\/p>\n ‘the size of it all carries us along\u2019<\/p>\n This Heat, \u2018A New Kind of Water\u2019, from Deceit<\/em> (1981, Rough Trade)<\/p>\n https:\/\/www.youtube.com\/watch?v=NLMoDU9Tl_E<\/a><\/p>\n <\/p>\n part 1<\/strong><\/p>\n Early Modern Print: Text Mining Early Printed English <\/em><\/p>\n (Anupam Basu et al.: Humanities Digital Workshop, Washington University, St Louis)<\/p>\n http:\/\/earlyprint.wustl.edu<\/a><\/p>\n <\/p>\n \u2018accommodated\u2019<\/p>\n William Garrard, The Art of War<\/em> 1591<\/p>\n Robert Barret, Theorike and Practike of Moderne Warres<\/em> 1598<\/p>\n <\/p>\n part 2<\/strong><\/p>\n Visualising English Print: 1450-1800<\/em><\/p>\n (Mike Gleicher Wisconsin-Madison U, Michael Witmore Folger Shakespeare Library, Jonathan Hope Strathclyde U)<\/p>\n general:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 http:\/\/graphics.cs.wisc.edu\/VEPsite\/<\/a><\/p>\n Ubiq:\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 http:\/\/vep.cs.wisc.edu\/ubiq\/<\/a><\/p>\n Serendip:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 http:\/\/vep.cs.wisc.edu\/serendip\/<\/a><\/p>\n <\/p>\n forthcoming papers on the material presented in this section of the talk:<\/strong><\/p>\n Anupam Basu, Jonathan Hope, and Michael Witmore, \u2018Networks and Communities in the Early Modern Theatre\u2019, in Roger Sell and Anthony Johnson (eds),\u00a0Community-making in\u00a0<\/em>Early Stuart Theatres: Stage and Audience<\/em>\u00a0(Ashgate)<\/p>\n Michael Witmore, Jonathan Hope, and Michael Gleicher, \u2018Digital Approaches to the Language of Shakespearean Tragedy\u2019, in Michael Neill and David Schalkwyk (eds), The Oxford Handbook of Shakespearean Tragedy<\/em>\u00a0(Blackwell)<\/p>\n <\/p>\n references:<\/strong><\/p>\n Ted Underwood, 2013, Why Literary Periods Mattered: Historical Contrast and the Prestige of English Studies<\/em><\/a>(Stanford UP)<\/p>\n <\/p>\n Goldstone, Andrew, and Ted Underwood, 2014, \u2018The Quiet Transformations of Literary Studies: What Thirteen Thousand Scholars Could Tell Us\u2019, New Literary History<\/em>\u00a0\u00a0https:\/\/www.ideals.illinois.edu\/handle\/2142\/49323<\/a><\/p>\n <\/p>\n Ted Underwood, 2014, \u2018Theorizing Research Practices We Forgot to Theorize Twenty Years Ago<\/a>\u2019, Representations<\/em> <http:\/\/hdl.handle.net\/2142\/50034><\/a>.<\/p>\n <\/p>\n Alan B. Farmer (forthcoming), \u2018Playbooks and the Question of Ephemerality\u2019<\/p>\n <\/p>\n Lucy Munro, 2013, Archaic Style in English Literature<\/em> (CUP)<\/p>\n","protected":false},"excerpt":{"rendered":" HCAS SYMPOSIUM: BIG DATA APPROACHES TO INTELLECTUAL AND LINGUISTIC HISTORY 1\u20132 DECEMBER 2014 Helsinki \u00a0 \u00a0 \u00a0http:\/\/www.helsinki.fi\/collegium\/events\/big-data\/ references and links for a presentation by Jonathan Hope pdf of slides\u00a0Hope Helsinki 2014 title ‘the size of it all carries us along\u2019 This Heat, \u2018A New Kind of Water\u2019, from Deceit (1981, Rough Trade) https:\/\/www.youtube.com\/watch?v=NLMoDU9Tl_E part […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51,1,144],"tags":[],"class_list":["post-2111","post","type-post","status-publish","format-standard","hentry","category-early-modern-drama","category-uncategorized","category-visualizing-english-print-vep"],"_links":{"self":[{"href":"https:\/\/winedarksea.org\/index.php?rest_route=\/wp\/v2\/posts\/2111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/winedarksea.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/winedarksea.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/winedarksea.org\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/winedarksea.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2111"}],"version-history":[{"count":6,"href":"https:\/\/winedarksea.org\/index.php?rest_route=\/wp\/v2\/posts\/2111\/revisions"}],"predecessor-version":[{"id":2119,"href":"https:\/\/winedarksea.org\/index.php?rest_route=\/wp\/v2\/posts\/2111\/revisions\/2119"}],"wp:attachment":[{"href":"https:\/\/winedarksea.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/winedarksea.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/winedarksea.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}