Here, for ease of navigation, is a list of all posts on the blog. Most are by Michael Witmore, some are by Jonathan Hope, and there are a few guest posts.<\/p>\n
They are listed here in reverse chronological order (most recent to oldest).<\/p>\n
This is a blog, not a refereed journal, so the material here is mixed. Some posts are written with a public audience in mind; others are repositories of links and material; others are more like notes to ourselves. Posts record what we thought at the time of posting: let\u2019s hope we know better now, eh? [JH]<\/p>\n
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Data and Metadata<\/span><\/a><\/p>\n Beth Ralston and Jonathan Hope (2015\/07\/09) – first release of spreadsheets with the VEP drama corpus metadata and Docuscope \u00a0 \u00a0 \u00a0 frequencies<\/p>\n <\/p>\n Now Read This: A Thought Experiment<\/span><\/a><\/span><\/p>\n Michael Witmore (2015\/04\/05) Three ways of “getting at genre”: expert report, quantitative description of linguistic patterns, and biological response.<\/p>\n Mapping the ‘Whole’ of Early Modern Drama<\/span><\/a><\/span><\/p>\n \u00a0Beth Ralston and Jonathan Hope (2015\/03\/26) Results of PCA experiments on Early Modern Drama corpus.<\/p>\n ‘the size of it all carries us along’ – a new kind of literary history?<\/span><\/a><\/span><\/p>\n \u00a0Jonathan Hope (2014\/11\/30) Materials to support Hope’s presentations at Helsinki Collegium Big Data Event 1-2 December 2014.<\/p>\n The Novel and Moral Philosophy 3: What Does Lennox Do with Moral Philosophy Words?<\/span><\/a><\/span><\/p>\n \u00a0Julie Park (2014\/10\/26) Witmore’s\u00a0interpretation of the differences between the two topical fields we are associating\u00a0with the novel and moral philosophy.<\/span><\/p>\n The Novel and Moral Philosophy 2: Telling and Feeling, Aunts and Letters<\/span><\/a><\/span><\/p>\n Julie Park (2014\/10\/25) Discussion of the eighteenth-century novel and Lennox’s Euphemia in the context of Serendip analysis.<\/p>\n The Novel and Moral Philosophy 1: What does Charlotte Lennox have to do with Adam Smith?<\/span><\/a><\/span><\/p>\n Eric Alexander and Michael Witmore (2014\/10\/23) Introducing Serendip, our topic model software – and looking for the language of the\u00a0novel.<\/p>\n Digital approaches to the language of Shakespearean tragedy<\/span><\/a><\/p>\n Jonathan Hope (2014\/09\/09) Materials to support our paper in the Oxford Handbook of Shakespearean Tragedy<\/em><\/p>\n Adjacencies, virtuous and vicious, and the forking paths of library research<\/span><\/a><\/span><\/p>\n Michael Witmore \u00a0(2014\/07\/08) Browsing in open-stack libraries, PCA, subject classification, topic models<\/p>\n Quantification and the language of later Shakespeare<\/span><\/a><\/span><\/p>\n Jonathan Hope (2014\/05\/07) \u00a0Links to Jonathan\u00a0Hope\u00a0et Michael\u00a0Witmore, \u00ab\u00a0Quantification and the language of later Shakespeare\u00a0\u00bb,\u00a0Actes des congr\u00e8s de la Soci\u00e9t\u00e9 fran\u00e7aise Shakespeare<\/em>, 31\u00a0|\u00a02014, 123-149 \u00a0 (see the publications<\/a> page for a full list of publications)<\/p>\n Hamlet<\/em> in five words<\/span><\/a><\/p>\n Jonathan Hope (2014\/05\/06) \u00a0Links to Jonathan Hope and Michael Witmore, \u2018Hamlet<\/em> in five words\u2019 on The Globe\u2019s Globe to Globe Hamlet<\/em> blog \u00a0(see the publications<\/a> page for a full list of publications)<\/p>\n Scotland\u2019s Collections and the Digital Humanities<\/span><\/a><\/p>\n Jonathan Hope (2014\/05\/01) \u00a0Collection of links for those starting in DH<\/p>\n The Future of the Humanities will be Demand-Led<\/span><\/a><\/span><\/p>\n Michael Witmore (2014\/03\/31) “the driver of humanistic thinking will be people \u2013 all kinds of people \u2013 who are puzzled by the mysteries of being human and want to talk about them”.<\/span><\/p>\n 2w90p[[8i[;;\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/[;<\/span><\/a><\/p>\n Jonathan Hope (2014\/03\/07) \u00a0Notes and references for a series of presentations by Hope, April-July 2014. Library and information science; hyperdimensional geometry; pictures of kittens.<\/p>\n #MuchAdo #AboutData<\/span><\/a><\/p>\n Jonathan Hope, Emma Pallant, Heather Froehlich (2014\/03\/05) \u00a0 Exchanges with Emma Pallant as she rehearses Much Ado<\/em><\/p>\n Macbeth<\/em>: The State of Play<\/span><\/a><\/p>\n Jonathan Hope (2014\/02\/20) \u00a0Publication details for Hope and Witmore, 2014, \u2018The language of Macbeth<\/em>\u2019 in Ann Thompson (ed.), Macbeth: The State of Play<\/em> (London: Arden) \u00a0(see the publications<\/a> page for a full list of publications)<\/p>\n Visualising English Print 1530-1800, Genre Contents of the Corpus<\/span><\/a><\/p>\n Michael Witmore (2013\/12\/12) \u00a0Overview of genre in the VEP test corpus<\/p>\n Visualising English Print 1530-1800: The Corpus, Tag Sets, and Topics<\/span><\/a><\/p>\n Michael Witmore (2013\/11\/27) \u00a0VEP test corpus: VARD<\/p>\n Manuscript Average<\/span><\/a><\/p>\n Michael Witmore (2013\/07\/20) A link to a post by Jesse Hurlbut about examining manuscript pages as image aggregates.<\/p>\n Fuzzy Structuralism<\/span><\/a><\/p>\n Michael Witmore \u00a0(2013\/07\/20)<\/p>\n An Ecology of Critical Gestures: Point, Circle and Name<\/span><\/a><\/p>\n Michael Witmore \u00a0(2013\/02\/17)<\/p>\n New Image from Original Post from Google Books<\/span><\/a><\/p>\n Michael Witmore \u00a0(2013\/02\/01) An image showing changes in the catalogued subject of Library of Congress books over the course of several hundred years, supplied by John Orwant from Google.<\/p>\n What Is Influence?<\/span><\/a><\/p>\n Jonathan Hope (2013\/01\/29) \u00a0How can we \u2018count\u2019 influence? Below the line contributions from Jockers and Underwood<\/p>\n What Happens in Hamlet?<\/span><\/a><\/p>\n Jonathan Hope \u00a0(2012\/08\/17) \u00a0 Pronouns in Hamlet<\/em><\/p>\n What Do People read During a Revolution?<\/span><\/a><\/p>\n Michael Witmore, Robin Valenza \u00a0 (2012\/07\/11)<\/p>\n The Time Problem: Rigid Classifiers, Classifier Postmarks<\/span><\/a><\/p>\n Michael Witmore \u00a0(2012\/04\/16)<\/p>\n Google Books: Ratio of Inked Space to Blank Space<\/span><\/a><\/p>\n Michael Witmore \u00a0 (2012\/04\/14)<\/p>\n Shakespeare\u2019s mythic vocabulary \u2013 and his invisible grammar<\/span><\/a><\/p>\n Jonathan Hope \u00a0(2012\/02\/14) \u00a0 Reports work on Shakespeare\u2019s vocabulary by Hugh Craig, Elliott and Valenza<\/p>\n The very strange language of A Midsummer Night\u2019s Dream<\/em><\/span><\/a><\/p>\n Jonathan Hope \u00a0(2012\/02\/06 ) \u00a0Why is the language of MSND<\/em> unlike that of other plays?<\/p>\n What did Stanley Fish count, and when did he start counting it?<\/span><\/a><\/p>\n Michael Witmore \u00a0(2012\/01\/27)<\/p>\n Visualising linguistic variation with LATtice<\/span><\/a><\/p>\n Anupam Basu (2011\/11\/29) \u00a0 \u00a0Download LATtice!<\/p>\n Tokens of impersonation in Dekker\u2019s City Comedies<\/span><\/a><\/p>\n Mattie Burkert (2011\/11\/19)<\/p>\n Finding the Sherlock in Shakespeare: some ideas about prose genre and linguistic uniqueness<\/span><\/a><\/p>\n Victor Lenthe \u00a0(2011\/10\/29)<\/p>\n Why the difference? Accounting for variation between Folio and Globe editions of Shakespeare\u2019s plays<\/span><\/a><\/p>\n Jason Whitt \u00a0 (2011\/10\/21)<\/p>\n The comic \u2018I\u2019 and the tragic \u2018we\u2019?<\/span><\/a><\/p>\n Jonathan Hope (2011\/10\/21) \u00a0 Genre and pronouns<\/p>\n Phylogenetic influence<\/span><\/a><\/p>\n Jonathan Hope \u00a0(2011\/05\/12) \u00a0 Can we use biological models in linguistic analysis?<\/p>\n The ancestral text<\/span><\/a><\/p>\n Michael Witmore \u00a0(2011\/05\/09)<\/p>\n Lost books, \u201cMissing Matter\u201d, and the Google 1-gram corpus<\/span><\/a><\/p>\n Michael Witmore \u00a0(2011\/01\/03)<\/p>\n Text: a massively addressable object<\/span><\/a><\/p>\n Michael Witmore (2010\/12\/31)<\/p>\n Text as probability clouds<\/span><\/a><\/p>\n Michael Witmore \u00a0 (2010\/12\/26)<\/p>\n Google n-grams and philosophy: use versus mention<\/span><\/a><\/p>\n Michael Witmore \u00a0(2010\/12\/17)<\/p>\n Shakespeare Quarterly article goes live<\/span><\/a><\/p>\n Michael Witmore \u00a0(2010\/10\/22)\u00a0(see the publications<\/a> page for a full list of publications)<\/p>\n Adding knobs to the analysis<\/span><\/a><\/p>\n Michael Witmore \u00a0(2010\/10\/18)<\/p>\n Shakespeare Quarterly 61.3 Figures<\/span><\/a><\/p>\n Michael Witmore \u00a0(2010\/09\/09) \u00a0(see the publications<\/a> page for a full list of publications)<\/p>\n Shakespeare out of place?<\/span><\/a><\/p>\n Michael Witmore \u00a0 (2010\/09\/03)<\/p>\n Crowdsourced peer review in NY Times<\/span><\/a><\/p>\n Michael Witmore \u00a0(2010\/08\/24)<\/p>\n Penalty kicks and distributed movement<\/span><\/a><\/p>\n Michael Witmore \u00a0 (2010\/07\/29)<\/p>\n Genre dependence on character ideolects?<\/span><\/a><\/p>\n Mike Stumpf \u00a0 (2010\/07\/29)<\/p>\n Presentation at London Forum for Authorship Studies\/Digital Text and Scholarship seminar<\/span><\/a><\/p>\n Michael Witmore \u00a0 (2010\/05\/27)<\/p>\n Docuscope goes live on Shakespeare Quarterly open peer review<\/span><\/a><\/p>\n Michael Witmore \u00a0 (2010\/03\/14)<\/p>\n Early and late Plato II: The Apology and The Timaeus<\/span><\/a><\/p>\n Michael Witmore \u00a0 (2010\/03\/14)<\/p>\n Platonic dialogues and the \u2018Two Socrates\u2019<\/span><\/a><\/p>\n Michael Witmore \u00a0(2010\/02\/03)<\/p>\n The funniest thing Shakespeare wrote? 767 pieces of the plays<\/span><\/a><\/p>\n Michael Witmore \u00a0(2010\/01\/15)<\/p>\n Clustering the plays without Principal Components<\/span><\/a><\/p>\n Michael Witmore \u00a0(2009\/12\/15)<\/p>\n Shakespearean dendrograms<\/span><\/a><\/p>\n Michael Witmore \u00a0 (2009\/11\/29)<\/p>\n Local versus diffused variation; the Hinman collator<\/span><\/a><\/p>\n Michael Witmore \u00a0(2009\/11\/25)<\/p>\n Pre-digital iteration: the Lindstrand Comparator<\/span><\/a><\/p>\n Michael Witmore \u00a0 (2009\/11\/08)<\/p>\n Edward III<\/em>, Shakespearean trigrams, and Trillin\u2019s Derivatives<\/span><\/a><\/p>\n Michael Witmore \u00a0(2009\/10\/14)<\/p>\n Rhythm quants: Burial, click tracks, genre tempo<\/span><\/a><\/p>\n Michael Witmore \u00a0 (2009\/10\/05)<\/p>\n Keeping the game in your head: David Ortiz<\/span><\/a><\/p>\n Michael Witmore \u00a0 (2009\/09\/29)<\/p>\n Four-syllable rock n\u2019 roll<\/span><\/a><\/p>\n Michael Witmore \u00a0 (2009\/09\/21)<\/p>\n Texts as objects II: Object Oriented Philosophy. And Criticism?<\/span><\/a><\/p>\n Michael Witmore \u00a0(2009\/09\/17)<\/p>\n<\/h2>\n